South Carolina Storytellers | Saturday, May 16, 3:20 - 4:10, Carolina Meeting Room B
Mark Powell is the author of three previous novels, Prodigals (nominated for the Cabell First Novelist Award), Blood Kin (winner of the Peter Taylor Prize for the Novel), and The Dark Corner. Powell has received fellowships from the National Endowment for the Arts and the Breadloaf Writers’ Conference. In 2009 he received the Chaffin Award for contributions to Appalachian literature. Powell holds degrees from Yale Divinity School, the University of South Carolina, and the Citadel. He is an associate professor of English at Stetson University in DeLand, Florida, and for three years taught a fiction workshop at Lawtey Correctional Institute, a level II prison in Raiford, Florida.
Book Title: The Sheltering
Luther Redding lost his job, and almost lost his wife, Pamela, and teenaged daughters Katie and Lucy, when the real estate bubble burst in Florida. Now he pilots a Reaper drone over the mountains of Afghanistan from a command center in the bowels of Tampa’s MacDill Air Force Base, studying a target’s pattern of life and awaiting the command to end that life. Meanwhile Bobby Rosen has returned home from his tours in Iraq to a broken marriage and an estranged son, his promising military career cut short in a moment of terrible violence in a Sadr City marketplace. As the tales of Luther and Bobby unfold, Mark Powell masterfully engages with the vexing, bifurcated lives of combatants in the global war on terror, those who are simultaneously here and there and thus never fully freed from the life-and-death chaos of the battlefield.
As Bobby sets off on a drug-fueled road trip with his brother Donny, newly released from prison and consumed by his own inescapable impulses, a sudden death in the Redding household sends Luther’s daughter Katie spiraling into grief and self-destruction. Soon the lives of the Reddings and the Rosens intersect as the collateral damage from the war on terror sends these families into a rapid descent of violence and moral ambiguity that seems hauntingly familiar to Bobby while placing Katie in a position much like her father’s—more removed witness than active participant in the bloody war unfolding in front of her. Overarching questions of faith and redemption clash with the rough-hewn realities of terror and loss, all to explosive ends in Powell’s dark vision of modern Americana.